Candela Books + Gallery is excited to announce BRING A DATE, a celebration of nightlife and music from the mid-1970s to the present day. Through the lens of six established and emerging artists, the exhibition features both still and moving imagery that celebrates America after dark, from the boroughs of New York to the late night denizens of Los Angeles, Chicago and Virginia. Included in this exhibition are works by Michael Abramson, Bill Bernstein, Thurston Howes, Jessica Lehrman, Reuben Radding and Safi Alia Shabaik.

Candela Books + Gallery is pleased to present a solo exhibition of new works by David Emitt Adams. The exhibition will open on Friday, September 6th and will be on view through Sunday, October 27th. Please join us for an opening reception and artist talks on Thursday, September 5th, from 5- 8 pm.

Candela Books + Gallery is pleased to present a solo exhibition of new works by Justin James Reed. The exhibition will open on Friday, September 6th and will be on view through Sunday, October 27th. Please join us for an opening reception and artist talks on Thursday, September 5th, from 5- 8 pm.

Dear Leader is a multimedia exhibition that casts a light on the existential weight of nuclear proliferation and the harrowing threat of nuclear violence. These fears generate a deep undercurrent of uncertainty that rests underneath our daily lives. The participating artists seek to provide personal reflections on the past and ask us to consider, if just for the moment, the present and future concerns of nuclear proliferation against our current geopolitical landscape. 

Candela Gallery is pleased to open 2019 with #InHonor, a solo exhibition by Ervin A. Johnson. Spurred by personal experiences as a queer Black man and the killing of Black people across America, #InHonor is a series of photographic mixed media portraits that stand as a visceral response to racism and police brutality done to the Black body.

Candela Gallery is pleased to present ATOM | PLANET, a solo exhibition by Brooklyn-based artist, Anne Arden McDonald. Within this series McDonald creates photographic works imbued with celestial and atomic aesthetics. Approaching her darkroom process like a sort of alchemy, McDonald captures a dialogue nebulously drifting between mediums by testing materials and techniques through experimentation, noting variables, and observing the results, and amending processes.

Candela Gallery is pleased to present CHANNELS, a group exhibition featuring photographs and mixed media works by Courtney Johnson, Lisa Kokin, and Willie Anne Wright. The exhibition features three artists whose work evokes a transformative experience; each imbued with elements of salt, filament, or flora to create new forms. 

CHANNELS opens September 7th with an artist reception on September 6th, from 5-8pm and runs through October 20th.

In his first solo exhibition at Candela Gallery, Harrison Walker presents his Portals project, highlighting a mix of photographic processes through a series of abstract works. In Walker’s words, the series is “an investigation of photographic chemistry, psychological perceptions, and ideas of duplication, mimicry, and the multiple.” Through experimentation and discovery the varied effects of his photographic, printmaking, and drawing techniques, seek to elicit not only an emotional but also a fundamentally experiential viewing. 

Chris McCaw returns to Candela Gallery in his second solo exhibition featuring work from his recent projects, as well as new work from his Sunburn series. Over the last decade, Chris has continued to push the boundaries of the photographic medium, sharing his unconventional techniques for capturing the movement and the power of the sun as it travels through his viewfinder. With hand-built cameras and vintage photographic paper, McCaw creates unique pieces documenting the sun’s movement through illusory land and seascapes. Long exposures throughout a day, or over multiple days, materialize as marks and burns made directly by the sun’s light as it exposes the paper. As McCaw writes, through this collaborative process, “the sun has become an active participant in part of the printmaking.”

Candela Gallery is pleased to announce our first solo show with Virginia-based photographer, Morgan Ashcom. The exhibition coincides with the release of Ashcom’s recent book, What the Living Carry, published by MACK Books.

“The past is never dead. It’s not even past.” ― William Faulkner

Born and raised in Free Union, Virginia, Ashcom chisels his work out of the rural Americana of Hoys Fork – an amalgamated fiction of a small town, nestled in the South. Influenced by memories of his Shenandoah upbringing and deeply rooted in southern literature, Ashcom depicts landscapes obscured by climbing vines and dying brush, while everyday subjects perform menial tasks amongst their dated surroundings. Much like Faulkner’s mythical Mississippi-inspired county, Yoknapatawpha, Ashcom has constructed a place galvanized by the past – its resoluteness, and its refusal to be tied down or easily consumed.