Haser’s work continues to extend beyond the simple image in Four Legs, a series of unique ceramic chairs shown alongside playful and meticulous photographs of the objects. The project emerged during a period in which the artist felt overwhelmed by the constant negotiations and emotional labor of everyday life. In response, Haser began dedicating one day each week to pottery as a space for slowing down and experimenting, which eventually led to a still-growing collection of small ceramic chairs.

Built around a series of intimate handmade objects, Four Legs features a collection of unique ceramic chairs presented alongside photographs of each form. Through the repetitive and tactile process of shaping these miniature sculptures, Haser discovered a space for imaginative play and quiet control amid the unpredictability of daily life. The accompanying photographs further blur the boundaries between object and image, a gesture that runs deeply throughout Haser’s broader practice.

Known for combining mediums within her work, Four Legs marks a natural progression for the artist, expanding her visual language through material experimentation and sculpture while maintaining the emotional sensitivity and layered storytelling present throughout her practice.